Ae Fond Kiss, my short horror story that managed to be inspired both by a love song by Robert Burns and by the marvellous Musée Mécanique on Fisherman’s Wharf in San Francisco, is featured in the September issue of the webzine The Horror Zine. The story first appeared in The Horror Zine’s summer 2018 paperback edition and, as usual with my horror fiction, it bears the pseudonym ‘Jim Mountfield’. (Unfortunately, ‘Ian Smith’ is about the most boring name ever.) The story can be read here.
The Horror Zine requires its contributors to submit mugshots of themselves, so be warned. You may find the strained, painful-looking selfie that accompanies Ae Fond Kiss more disturbing than anything in the story itself.
Also featured in The Horror Zine’s September edition is a story by the prolific, seemingly indefatigable Edinburgh-born author Graham Masterton. Among the more-than-100 books written by Masterton is 1978’s horror novel Charnel House, which gave me the creeps when I read it as a kid (and which, coincidentally, was set in San Francisco). However, he’s probably best known for the 1976 novel The Manitou, which was made into a movie two years later with Tony Curtis, Susan Strasberg, Michael Ansara and Burgess Meredith – the film isn’t a classic, but with its enjoyably dated, disco-y 1970s special effects, it’s still good fun.
So all in all, I feel honoured to have my work featured this month in the same fiction section as that of the Father of the Manitou.
© Sphere Books
© The Horror Zine / Jeani Rector
My short story Ae Fond Kiss is among those included in a summer 2018 paperback showcasing the latest fiction and poetry to be featured on the well-known and award-winning web-zine The Horror Zine. And since it’s a horror story, I have attached my usual horror nom de plume Jim Mountfield to it.
The title comes from a wistful romantic song by Robert Burns and, as you’d expect, it’s set in Scotland – next to the Irish Sea on Scotland’s southwestern coast, probably not far from Burns’ birthplace in Alloway. However, the biggest inspiration for the story was provided by the Musée Mécanique on Pier 45 in Fisherman’s Wharf in San Francisco, which serves as both a functioning amusement arcade and a museum for more than 200 “coin-operated mechanical musical instruments and antique arcade machines in their original working condition.” A few years ago when I was in San Francisco I spent a delightful hour or two wandering around the place and examining all its vintage and rather magical contraptions.
Indeed, several of the Musée’s exhibits are referenced in Ae Fond Kiss, including a turning miniature Ferris Wheel (made by inmates of San Quentin Prison, apparently), a group of marionettes that perform as a barber shop quartet and a device called a motoscope that resembles a what-the-butler-saw machine and shows clips of 1920s movies like On the Beam with Harold Lloyd and Quick on the Trigger with Tom Mix. I should say, though, that the machine at the heart of the amusement arcade described in my story is a figment of my imagination and has absolutely nothing to do with anything in the Musée Mécanique.
The paperback version of The Horror Zine’s summer 2018 anthology can be ordered here, and there’s a kindle edition available here.
Oh, and the story has creepy clowns in it too. What’s not to like?