Siouxsie and the Banshees – Blood and Porridge

From worldgothday.com / © BatBoy Slim

Today, May 22^nd, is among other things International Day for Biological Diversity, Buy a Musical Instrument Day, National Vanilla Pudding Day and, due to it being Sir Arthur Conan Doyle’s birthday, Sherlock Holmes Day. However, what piques my interest in May 22^nd is the fact that it’s also World Goth Day. Yes, it’s that date in the calendar when we celebrate Goth, the world’s most black-clad, most kohl-eyeliner-rimmed, most sunlight-adverse musical sub-culture. Today even has its own Goth-themed logo, designed by the fabulously-named BatBoy Slim.

To mark the occasion, here are links to a dozen of my favourite Goth tunes on YouTube. My apologies if, first, you have to sit through a few of those annoying and asinine adverts that nowadays seem to clog the channel like fatbergs in a London sewer. .

To start with, here’s one of the genre’s most old-school bands, Fields of the Nephilim, with their 1987 anthem Moonchild – I’m sure it’s no coincidence that Moonchild is also the name of a novel that occult icon and self-styled ‘wickedest man in the world’ Aleister Crowley had penned 70 years earlier. With the sepulchral voice of singer Carl McCoy and the band’s peculiar look – moth-eaten Wild West gunslingers covered in flour – I thought Fields of the Nephilim were a bit of joke during their 1980s heyday, but I have to say they’ve grown on me since then and I find Moonchild and its lyrical refrain (“Moonchild, lower me down, lower me down / Moonchild…. Lower me down, down, down, down, down, dowww-wwwn!”) irresistible.

© Situation Two

Also defiantly old-school in sound, but of a more recent vintage – it was originally released in 2006 – is Tear You Apart by Californian band She Wants Revenge. Like many people, I hadn’t heard the song before it was used in a 2015 episode of the TV show American Horror Story (apparently at the insistence of Lady Gaga, who featured among the cast). When I did hear it, with its cheeky emulation of the dub-style guitar sound from Bauhaus’s 1982 epic Bela Lugosi’s Dead, and its titular homage to Love Will Tear Us Apart (1980) by Joy Division, I genuinely believed for a moment this was a 35-year-old Goth classic that’d somehow eluded me since the 1980s.

Another band hailing from California is London After Midnight, who no doubt took their name from the long-lost 1927 silent vampire film London After Midnight, which starred Lon Chaney Sr. In a genre where too often songs lapse into pompous, overblown melodrama, their 1992 song Sacrifice manages the difficult trick of being stately and melodramatic – check out that thunder in the background – while being rather sweet and jaunty as well.

© Rotation

Now for a classic from the early 1980s and the nascent years of Goth music: 1982’s Torch by Soft Cell. The Soft Cell duo of Marc Almond and Dave Ball would probably hate to see themselves categorised as ‘Goth’ and have one of their songs included in a playlist like this, but their sound – and especially the gorgeous trumpet-synth sound featured here – has always, for me, evoked the scene’s candlelit melancholia. Incidentally, when the pair of them were interviewed in the Guardian earlier this month, Almond made a memorable observation about how old age suddenly sneaks up on you: “One day you’re smearing your naked body in cat food at art college, the next you’re choosing terracotta pots at the garden centre.” Yes, Marc, I wholly agree. Not that I ever smeared my naked body in cat food at art college, though.

And here’s another synth-orientated duo. In 2011 Light Asylum consisted of Brooklyn singer Shannon Funchess and keyboardist Bruno Coviello – the latter departed shortly afterwards – and I found this clip of them on YouTube performing their song Dark Allies live at the time. Funchess’s barnstorming vocal performance is amazing. It’s just a pity that the audience seem as animated and appreciative as an army of arthritic zombies.

Still keeping with synth-y musical outfits… Despite the death of founding member Andy Fletcher in 2022, the veteran Basildon band Depeche Mode have a new album, Momento Mori, out this year and, like Jason Voorhees in the Friday the 13^th movies, seem unkillable. I’m partial to this remix – the ‘Headcleanr Rock Mix’ – of their song Nothing from the 1987 album Music for the Masses. The Rock Mix takes out much of the original’s synth sound and replaces it with one that’s, well, rocky. It also plays up the song’s ‘Woo-woo!’ backing vocals and the result is like an up-tempo version of the Rolling Stones’ Sympathy for the Devil (1968).

© Mute

Goth icon Nick Cave received some flak this month for being part of the Australian delegation that attended the coronation ceremony of King Charles III. When challenged about this on his website The Red Hand Files, Nick declared an admiration for the House of Windsor, stating that the late Queen Elizabeth II “seemed almost extra-terrestrial and was the most charming woman I have ever met.” This from someone who once duetted with P.J. Harvey? Wow! Nick must have found Queen Liz powerful stuff indeed. He also answered the question, “What would the young Nick Cave have thought of that?” by saying: “…well, the young Nick Cave was, in all due respect to the young Nick Cave, young, and like many young people, mostly demented, so I’m a little cautious about using him as a benchmark for what I should or should not do.”

In fact, I wouldn’t have minded Cave attending the coronation if he’d brought his band the Bad Seeds along with him and they’d been allowed to perform my all-time favourite Nick Cave and the Bad Seeds number Stagger Lee, which is the next song on my list. (In the Stagger Lee video, Nick looks scary even while wearing a pink T-shirt.) Yes, the coronation would have been a much livelier affair if, instead of Handel’s Zadok the Priest, Westminster Abbey had resounded to Nick Cave hollering about slobbering on someone’s head and climbing over pussies to get to ‘one fat boy’s asshole’. And having Blixa Bargeld shrieking animalistically at the moment that Charles got crowned would have worked perfectly.

There was never much chance of Robert Smith, frontman and mainstay of the Cure, getting invited to the coronation. Not as he once said of the Royal Family, “I’m much better than them. They’ve never done anything. They’re f**king idiots.” Anyway, here’s footage of the glorious Mr Smith performing, not with the Cure, but as a collaborator with the Canadian band Crystal Castles in 2010. They’re doing a cover of the song Not in Love, originally recorded by another Canadian outfit, Platinum Blonde, in 1983.

From indy100.com

I don’t know why I like this cover of the 1968 Yardbirds number Heart Full of Soul by the Goth band Ghost Dance – who were formed in 1985 by Gary Marx (late of the Sisters of Mercy) and Anne-Marie Hurst (late of Skeletal Family), and who disbanded in 1989, but who have recently reformed again. I just do. It’s a joyous-sounding thing.

Not normally joyous is the sound of Goth / industrial-rock juggernaut Killing Joke, whose mission according to singer and keyboardist Jaz Coleman was to “define the exquisite beauty of the atomic age in terms of style, sound and form”. Actually, the band’s crunching, thunderous urgency rarely sounded ‘exquisite’ or ‘beautiful’, but it was pretty impressive. Here’s a track I like very much from their eponymous 2003 album. It’s called Asteroid and features Coleman screeching the blunt but memorable refrain, “Asteroid…! Coming in from the void!” The hectic drums are courtesy of a guest artist, Nirvana and the Foo Fighters’ Dave Grohl. Killing Joke had once accused Nirvana of plagiarism because of the similarity of the guitar riff in Nirvana’s Come as You Are (1991) to the one in their 1985 song Eighties, so clearly there were no hard feelings between them and Grohl.

© Zuma / Epic / Columbia

Idiosyncratic Birkenhead indie-rock troubadours Half Man Half Biscuit could in no way be described as ‘Goth’, but their 2000 song With Goth on our Side not only takes the mickey out of a certain Bob Dylan effort, but also pokes affectionate fun at music’s darkest subculture with its tale of Dai Young, who’s ‘the king of Welsh Goths’, and his girlfriend: “She sits and she crimps / Her mother’s convinced / She’s communing with imps.” The girlfriend also has a kid brother called Wilf, who’s all right because ‘he’s into Placebo and Cradle of Filth’.

And to call the curtain on World Goth Day 2023, here’s Cities in Dust by Siouxsie and the Banshees, the stand-out track on their 1986 album Tinderbox – which, incidentally, was the first album by the band that I ever bought. Needless to say, I hold Siouxsie Sioux in high regard. Indeed, if Nick Cave believes Queen Elizabeth II is the most extra-terrestrial and most charismatic woman he’s ever met, well, I can only surmise that he’s never met Her Gothic Highness, the majestic and imperious Siouxsie.

© Polydor / Geffen

© Halperin Productions

Does the sun seem to be shining a little less brightly, or a little more darkly, today? Does the air seem unusually clammy, redolent of Edgar Allan Poe’s ‘the bleak December’ rather than the cusp-of-summer May? Do the people walking past on the street seem to be sporting a tad more kohl eyeliner than normal? Are you staring at your TV, unsure if the pudgy, chaotic, tousle-haired figure you see on the screen is indeed Boris Johnson and not Robert Smith?

If the answer is ‘yes’… Well, this is probably because today, May 22^nd, is World Goth Day. According to Wikipedia, the idea of having a day dedicated to the planet’s blackest-clad subculture ‘originated in the United Kingdom in 2009 initially as Goth Day, a smaller scale celebration… inspired from the broadcasting of a special set of shows on BBC Radio 6.’

So, to mark the occasion, here’s a playlist of my dozen favourite Goth tunes, with YouTube links. (My apologies for any ultra-irritating YouTube advertisements that might pop up at the beginning.)

© Cleopatra

First up is the Goth-dancefloor fixture Adrenaline by Liverpudlian band Rosetta Stone. Actually, when I think of all the Goth nights I attended in my youth in places like Edinburgh, Norwich and Newcastle-upon-Tyne, this is the only tune I remember the DJs playing. Yes, I know they must have played other stuff, but this is the one song that accompanies my memories of those events. (Maybe they did play Adrenaline all night long, in a Gothic variation on that Father Ted episode where Ted and Dougal organise a charity disco and then realise they only have one record, the Specials’ Ghost Town.)

I’ve heard many authorities declare that Bauhaus’s Bela Lugosi’s Dead is the greatest Goth song of all time. But by way of something different, I’ll offer this tune instead, which is a cheeky riposte to the venerable Bauhaus anthem: Bela Lugosi’s Back by the fabulously titled Lesbian Bed Death. I love how they’ve peppered the song’s video with footage from that hypnotically weird and dream-like movie White Zombie, which had Lugosi as its villain back in 1932.

© Polydor

I’m a big fan of Siouxsie and the Banshees, but I thought on this playlist I’d include something from the formidable SIouxsie Sioux’s other band the Creatures, which she formed with fellow Banshee and one-time husband Peter ‘Budgie’ Clarke. I’ve had a fondness for the Creatures ever since seeing them perform a storming set at Edinburgh’s Queen’s Hall in 1999. This is called Pluto Drive and listening to it always lets a few tingles loose on my spine.

A band I saw in Edinburgh during the same period, though this time at the city’s Liquid Rooms, was the Mission. Now it was customary that when the Mission played their most famous number, the Led Zeppelin-esque Tower of Strength, their die-hard fans – who were known as ‘the Eskimos’ – would climb on top of each other and create a human tower in the middle of the auditorium. Well, not so much a tower as a pyramid, with lots of Eskimos on the floor forming its base, and smaller numbers of them forming the higher levels that tapered up to its apex. This was easy to do during the Mission’s heyday in the 1980s, when those Eskimos were mostly lean, lithe and light teenagers. However, by the late 1990s, the Eskimos had got not only a wee bit older but also a wee bit heavier… And I watched the building of that human Tower of Strength with some trepidation. Predictably, the whole thing soon wobbled and toppled over. But at least no Eskimos were hurt.

Anyway, here’s the song Belief from the Mission’s 1990 album Carved in Sand. I don’t know why this song isn’t better known, as I always thought it was an epic, relentless thing epitomising the band at their bombastic best. (Though some unkind critics would probably reword that as ‘at their bombastic worst’.)

Similarly, I don’t know why this next tune, Number One by the German outfit Clan of Xymox, isn’t better known either. It soars in an impeccably synth-y way.

I’d like to think that if, besides being tested for the ethnic groups you came from, your DNA could be tested for the musical sub-cultures you belonged to, my DNA would show a strong ‘Goth’ component. However, also being a fan of heavy metal, I’d hope that it showed a big ‘metalhead’ component too. Thus, my next two choices lie in that fascinating area where the two genres, Goth and heavy metal, overlap. First, here’s the wonderfully sepulchral – thanks to the band’s vocalist, the late Peter Steele – Everyone I Love is Dead by Type O Negative.

And here’s the finest goth-metal band to ever hail from Country Suffolk, East Anglia: Cradle of Filth. Their song A Gothic Romance: Red Roses for the Devil’s Whore follows a tried-and-trusted Cradle of Filth formula, starting with a civilised, classical-music opening, but rapidly descending into howling, pounding, guitar-mangling chaos. As ever, the croaking / shrieking vocals of Suffolk icon Dani Filth are at the forefront.

Now it’s time for another Goth dancefloor-stomper. It’s hard to resist Doctor Online by industrial Norwegian outfit Zeromancer, a song I assume was inspired by the infamous, euthanasia-supporting Doctor Jack Kevorkian, aka ‘Doctor Death’.

Canadian band the Birthday Massacre are smartly named. The word ‘birthday’ suggests glowing candles, ornately decorated birthday cakes and, generally, the magical happiness that people associate with childhood memories of their Big Day; while the word ‘massacre’ suggests, well, blood, darkness and death. That juxtaposition sums up Goth perfectly. And here’s their song Happy Birthday, whose vibe nicely blends that sense of child-like wonder with sinister premonitions that something bad is going to happen.

Returning to Bauhaus for a moment, I find this solo effort by their celebrated frontman Peter Murphy, Cuts You Up, poignant and rather lovely.

The young band Savages – okay, that’s young by my standards: they formed in 2011 – are described in their Wikipedia entry as a ‘post-punk, noise rock, alternative rock’ outfit. That description sneakily avoids using the ‘G’ word… But come on. I defy anyone to listen to their song Husbands and not think of Siouxsie and the Banshees at their imperious best.

Finally, how else could I finish this post but with a link to the greatest Goth anthem ever, the Sisters of Mercy’s majestic, thunderously operatic This Corrosion? Be warned – this is the 11-minute remix. By the end of those 11 minutes, after you’ve been bludgeoned into submission by singer Andrew Eldritch and Patricia Morrison’s caterwauling vocals, by producer Jim Steinman’s celestial choirs and Wagnerian guitar-squalls, and by that never-ending chorus of “Hey, now / Hey, now now…”, you will be begging the Sisters for mercy.

Tag: Siouxsie and the Banshees

Happy World Goth Day 2023

Happy World Goth Day 2022