Jim Mountfield goes guising

 

© The Sirens Call

 

Halloween is nearly upon us and, currently, I’m indulging in one of my traditional Halloween activities.  That activity is getting cranky at British, or more accurately, English journalists, columnists and commentators who are doing their usual thing at this time of year and complaining about British people being too enthusiastic about Halloween.  This shouldn’t be happening, say those journos, because Halloween isn’t a ‘British’ festival.  Rather, it’s something that’s been ‘imported’ from America during the past couple of decades.

 

That’s right.  Supposedly, there was no Halloween in Britain, ever, until British kids saw Hollywood movies like Steven Spielberg’s E.T. (1982) and decided that American trick-or-treating looked such good fun that they wanted to try it too.  Here’s the latest of these ‘Halloween-is-American-not-British!’ moan-a-thons, published the other day in the Guardian.

 

Complete piffle, of course.  Maybe the south of England, where Britain’s mainstream media and its scribblers are based, didn’t pay much attention to Halloween until recently, but it was always a thing elsewhere in Britain.  After all, the concept of Halloween was originally brought to the USA by Scottish and Irish immigrants.  All right, Ireland is not part of Britain, but technically Northern Ireland is part of the ‘United Kingdom’.

 

Way, way back in the 1970s, when I was a kid in Northern Ireland, I remember doing such Halloween-y things on October 31st as dunking for apples, trying to take bites out of other apples hanging on strings, and carving Halloween lanterns out of turnips.  (I don’t think I laid eyes on a pumpkin until the late 1980s.)  Also, I recall the local Young Farmers club using Halloween as an excuse to run amok – seemingly appropriating the customs of Mischief Night, which in many places had traditionally taken place the previous evening, on October 30th – uprooting signposts, stealing people’s gates and generally making arseholes of themselves.

 

And a little later, my family moved to Scotland, where…

 

But here I have to change the topic slightly.  Jim Mountfield, the pseudonym under which I write horror stories, has just had a short story published in issue 59 – the Halloween 2022 edition – of a dark fiction and poetry magazine called The Sirens Call.  The story is entitled Guising and is set at Halloween in Scotland in the early 1970s.  Here’s what the story has to say about the venerable Scottish custom of guising:

 

Scottish people will tell you that guising isn’t the same as trick-or-treating, though it involves children dressed as ghosts, witches and monsters going to front doors and receiving confectionary or small sums of cash from householders. The Scottish custom is transactional. The children have to earn their rewards. This means putting on a show for whoever they’re visiting. A brief show, admittedly, like telling a story or singing a song. Guising has its roots in the activities long ago of mummers who’d turn up at houses and taverns on special days such as Christmas, Easter, Plough Monday and All Souls’ Day, stage short plays, and afterwards collect money from their audiences…

 

Obviously, because Guising is a horror story, the kids who go out guising in it get rather more than they bargained for.

 

287 pages along, crammed with macabre goodies, and free to download, issue 59 of The Siren’s Call  is available here.

A selfie of Jim Mountfield

 

© The Sirens Call 

 

A few years ago, my partner and I were on holiday in Thailand.  One evening we were having dinner in a restaurant in the historical town of Ayutthaya, which is about 50 miles north of Bangkok.  Come to think of it, this was one of our very last trips abroad, before the Covid-19 pandemic put the brakes on international travel.  The restaurant was called the Old Place and it overlooked Ayutthaya’s River Pasak so that, in the darkness, chains of big, cargo-laden barges were drifting past the terrace where we were eating.

 

It came to our notice that amid the restaurant’s waiters and its (mainly tourist) customers, a young Asian woman was wandering around with a smartphone.  Every half-minute she’d stop somewhere, pose for and take a selfie, then wander off in search of another suitable selfie-spot.  She did this all through our meal: wander about, pause, take a selfie, go somewhere else, pause, take a selfie, ad infinitum.  Presumably the waiters were too busy to approach this strange, restless, selfie-loving lady and demand why she wasn’t sitting down and ordering food like everyone else.

 

And I thought: This could be the start of a story…

 

Well, I’m pleased to say that the story has now been written.  It’s also just been published in the Summer 2022 issue of the dark fiction and poetry magazine The Sirens Call.  It’s entitled Selfless and is attributed to Jim Mountfield, the pseudonym under which I write horror stories.  This new edition of The Sirens Call clocks in at a whopping 239 pages and can be downloaded – for free! – here.

Jim Mountfield serves up some meat

 

© Sirens Call Publications

 

March 2022 is proving to be a purple patch for Jim Mountfield, the pseudonym under which I write horror fiction.  Already this month he’s had a short story, Never Tell Lies Out of School, featured in Volume 16, Issue 26 of the online publication Schlock! Webzine, and another short story, Mermaid Fair, included in the new anthology Fearful Fun.  Now a third Mountfield short story, Liver, is served up in the pages of the spring 2022 edition of the fiction and poetry ezine The Sirens Call.

 

Like much of my fiction, Liver takes as its starting point an incident that happened to me in real life, but then develops things in a different direction – a wildly different direction – from how they actually developed.

 

The incident that inspired Liver happened about 15 years ago while I was living with my dad, on his farm in Scotland, and I was earning a little money by working in a supermarket in a nearby town – in the story it’s Tesco, back then it was Sainsbury.  One evening I arrived home from work and, in the farmhouse’s kitchen, discovered a huge, red, glistening thing heaped on a platter in the middle of the table.  This, it transpired, was the liver of a cow that’d just died in an accident.  The local butcher had promptly chopped up the carcass as a favour to my dad…  Well, why let all that meat go to waste?  Obviously, as Liver is a horror story, I’m glad the events that subsequently befall its main character didn’t happen to me in reality.

 

The spring 2022 edition of The Sirens Call is proof that the best things in life are free.  It consists of 198 pages and contains 143 pieces of short fiction, flash fiction, micro-fiction and poetry, and yet costs nothing to download.  You can get a copy of it, as well as copies of its back issues, here.