Go west, young Scots (if you can)

 

From bellacaledonia.org.uk

 

Once upon a time, the misery involving Scotland and the FIFA World Cup hinged around the fact that, though the Scottish men’s football team usually qualified for the thing, they never, ever managed to progress beyond its first round.  This was irrespective of whether they played well (in 1974, managing a win and two draws, one of those draws with Brazil, but going out on goal difference); badly but with a flash of genius when it was too late (in 1978, getting beaten by Peru, drawing with Iran, finally finding their mojo and defeating the tournament’s eventual runners-up Holland, but going out on goal difference); or simply badly (most of the rest of the time).

 

My family moved from Northern Ireland to Scotland in 1977, in time for Scotland’s campaign in the 1978 World Cup.  As I noted above, that performance wasn’t all bad.  However, the team’s departure for Argentina, the host country, had been accompanied by a Scotland-wide tsunami of insane expectation and over-optimism.  The madness was caused by some witlessly hopeful predictions from Scotland manager, Ally MacLeod, which an irresponsible and headline-hungry Scottish press had amplified.  (The team had some good players, but not that good.)   When their country didn’t win the World Cup, as everyone had been braying they would, but flopped in the first round, the Scots treated it as a national humiliation.  And for years, if not decades, afterwards, they suffered from Post-Ally-MacLeod-Stress-Disorder.

 

During the 1982 World Cup, I was working in Northern Ireland.  I got caught up in the euphoria of Northern Ireland’s unexpected and brilliant run in it – they got past the first round and beat host nation Spain along the way – and, probably fortunately, I didn’t have to focus too much on Scotland.  By 1986, I was studying in Aberdeen.  For Scotland’s final first-round match of that competition, in Mexico, they needed to beat Uruguay by at least two goals.  A mate called Alan Kennedy invited me and a few others to his house to watch the game on TV.  For the occasion we ordered a keg of beer and tucked into it several hours before the kick-off.  Well lubricated, I dozed off in an armchair not long into the match.  What a lucky man I was.

 

Four years later, in 1990, I was working in Hokkaido in northern Japan.  This time, with the World Cup taking place in Italy, I invited a few of my friends to my apartment for Scotland’s final first-round game.  Their campaign had begun with another gut-wrenching, soul-destroying defeat – by Costa Rica – that added yet more scars to the nation’s psyche.  But then they’d beaten Sweden and now they needed to see off Brazil.  They didn’t.  The folk I invited to my apartment for the game consisted of some Japanese colleagues and a football-daft Glaswegian called Bill Quinn.  Afterwards, one Japanese colleague remarked, “I’ve never seen anyone look so sad as your friend Mr Quinn when the match finished.”

 

Scotland didn’t qualify for the 1994 World Cup in the USA but made it to the 1998 one in France.  By now the nation was well past any delusions that they might come near to winning the damned thing. They just prayed that their team would get past that f**king first round and into the second one.  Small wonder that for Scotland’s official 1998 World Cup anthem, the Scottish Football Association got Del Amitri to sing a wistful song called Don’t Come Home Too Soon.

 

From wikipedia.org / © A&M Records

 

During this competition I was at my family’s home in the Borders town of Peebles and I watched all three Scotland games in the town’s cosy Bridge Inn, known locally as ‘the Trust’.  After the third game, a three-goal humping by Morocco that ensured that, yes, Scotland were coming home too soon, I left the Trust and headed for the Green Tree Hotel at the far end of the High Street.  The public bar there was full of people who’d just been watching the game in full regalia – team shirts, tammy hats, tartan scarves and kilts – and whom I expected to be miserable beyond belief.  They weren’t.  Their team had taken an early bath for the umpteenth time, but what the hell?  They’d decided they might as well party.  The ensuing evening was one of the best I’ve ever had in a pub.  Someone behind the bar stuck on a compilation record called The Best Scottish Album in the World Ever (1997) and I couldn’t believe how many grown men around me knew all the words to Shang-a-Lang (1974) by the Bay City Rollers.

 

That evening in 1998 was symbolic of what’d happened regarding the Scottish football team and its supporters.  While the former seemed doomed to flounder at these big events, the latter had given up on any expectation of their team doing well and were simply determined to enjoy themselves, win, lose or draw.  In the process, their self-deprecating humour and dedication to good-natured partying earned them the reputation of being one of the best sets of football fans in the world.  For instance, the city council of Bordeaux, where Scotland had played two of their 1998 World Cup games, took out a full-page advert in Scottish newspaper the Daily Record to thank the fans for their behaviour: “We will never forget your ‘joie de vivre, the way you know how to have a good time and your sense of fair play.  Come back soon.  We miss you already!”  I’m sure those sentiments were shared by Bordeaux’s bar and off-licence industry.

 

Indeed, I felt sorry for bigger countries with a reputation for greater footballing prowess, whose fans did expect them to deliver the goods.  I’d see those countries’ fans gather to watch a make-or-break World Cup game…  And, when the final whistle blew and their country had messed up, lost the game and exited the competition, those fans immediately headed home with scowls on their faces.  Wait, I’d think, aren’t you at least going to hang around and party?  (Yes, I’m looking at you, England fans.)

 

We’re more than a quarter-century on from the 1998 World Cup.  The issue with Scotland since then is that they’ve failed to qualify for the competition at all.  Bellyaching about them never progressing beyond the first round of it seems like an unobtainable luxury now.  We didn’t know how lucky we were back in the late 20th century.

 

Happily, though, all that has changed.  November 18th saw Scotland clinch qualification for next year’s World Cup tournament in Mexico, Canada and the USA by beating Denmark 4-2 at Hampden Park in Glasgow.  Sure, Denmark had the lion’s share of the play, and John McGinn was perhaps not being too modest when he commented afterwards, “I thought we were pretty rubbish to be honest, but who cares?”  But three of Scotland’s four goals were amazing: Scott McTominay managing to backwards / overhead-kick the ball into the Danish net whilst seemingly levitating in the air; Kieran Tierney sending the ball scouring around the penalty area and just making it inside the Danes’ goalpost; and, with brilliant insouciance, Kenny McLean punting the ball in the final seconds from the halfway line – and seeing it go over the Danish goalie’s head and into the net.

 

Mads Mikkelsen, your boys took a hell of a beating.

 

From wikipedia.org / © Luca Faz

 

My excitement about Scotland being on their way to a World Cup for the first time in 28 years is tempered, though, by the fact that it’s being held in North America.  Under the FIFA presidency of Gianni Infantino – a man who’s managed the difficult feat of making Sepp Blatter look wholesome – the sale of tickets has been, in the words of the Guardian, ‘a late capitalist hellscape’ plagued by ‘dynamic pricing, crypto detritus and corporate doublespeak’.  How many ordinary Scotland fans, whose presence at past matches has created such a memorable atmosphere, can afford to attend a game?  Not so many, I imagine.  Plus, if Scotland’s games are played in the USA, the fans will have to get past that country’s increasingly autocratic rules on who gets allowed in.  Dare to criticize President Trump on social media and you get barred, apparently.  And I imagine that, online, more than a few Scotland fans have referred to the American Commander-in-Chief as ‘a big orange bawbag’ at some point.

 

No, I have a horrible suspicion that the majority of Scotland’s support at any USA-held games would consist of well-heeled, conservative and sober Americans who happen to have a ‘Mac’ in their surnames thanks to some Scottish ancestor – folk who like to see a few kilts at their weddings but who quietly prefer American football and baseball to what they call ‘soccer’.  The atmosphere at those games could be terribly lame.

 

That’s on top of my horrible suspicion, based on past experience, that Scotland will screw up against some embarrassing opposition.  I have a bad feeling about the Dutch Caribbean island of Curaçao, who have just become the smallest-ever country to qualify for a World Cup, under the management of none other than former Glasgow Rangers boss Dick Advocaat.  I can just imagine them ending up in Scotland’s first-round group.  And then Scotland making a giant hash of things against them…

 

Meanwhile, as the USA’s orange Commander-in-Chief loves bragging about his Scottish roots – his mother came from the Isle of Lewis – I imagine he’d make a great show of turning up in person to watch any Scottish World Cup game that takes place on American soil.  Mind you, he might not survive the ordeal.

 

From the Daily Record / © Bordeaux City Council

 

Christmas comes early for Steve Cashel

 

© Heavenly Flower Publishing

 

Belfast’s Heavenly Flower Publishing has just made available a new anthology called White Witch’s Hat & Other Yuletide Ghost Stories, whose Amazon write-up describes it as “a collection of spooky seasonal stories by 21 authors just in time for the short days and long nights as the winter solstice draws ever nearer.”  The write-up also contains a proviso.  “Reader beware: this book will give you nightmares.  If you’re looking for chilling short stories that are more Krampus than Christmas, full of supernatural scares and denizens of dark nights, Yule not be disappointed.”  One of those spooky Christmas stories comes from my own pen and is entitled Southbound Traveller.

 

Although I usually write creepy fiction under the pseudonym Jim Mountfield, Southbound Traveller bears a different nom de plume, Steve Cashel.  This is the one I commonly use for ‘non-scary, non-fantastical Scottish stuff’.

 

A long time ago, back in those naïve days when I didn’t see any reason why I shouldn’t become the literary equivalent of Alasdair Gray, William McIlvanney or James Kelman, I sent many Steve Cashel stories off to various Scottish mainstream-literature magazines.  But I only got two of them placed: one in a publication called Gutter, the other in a publication called Groundswell.  I will forever remember Groundswell, a modest journal based around Edinburgh University, because they replied to my submission with both a rejection letter and an acceptance letter – I didn’t know if they’d published my story or not until I found a copy of Groundswell in a shop and checked its contents.

 

Then I started to have more success with my horror and fantasy stories, written as Jim Mountfield and Rab Foster, and the Cashel pseudonym was shelved.  From 2023, however, I tried rewriting and submitting again a few of my old Steve Cashell stories and this time they got into print.  Thus, Mr Cashel had an unexpected resurrection.

 

Something weird and inexplicable happens in Southbound Traveller but, for the most part, it’s an un-supernatural Christmas story.  It tries to paint as realistic a picture of Christmas Day as possible – at least, as I remember Christmas Day in Scotland in the early 1990s, with lots of TV, such as the Queen’s speech, the big afternoon film and the Christmas editions of the popular soaps, and also with too much booze being quaffed and family members getting on each other’s nerves.  It felt more like a Steve Cashel story than a Jim Mountfield one, so I attributed it to the former.

 

I should add that Southbound Traveller owes something to Hans Christian Anderson’s 1845 fairy story, The Little Match Girl.

 

Edited by Leilanie Stewart and Joseph Robert, and available as both a paperback and a kindle edition, White Witch’s Hat & Other Yuletide Ghost Stories can be purchased at Amazon US here and Amazon UK here.

Jim Mountfield hedges his bets

 

© Spiral Tower Press

 

I’m pleased to say that at the end of last month – appropriately in time for Halloween – I had a new short story published in Issue 5 of Witch House MagazineWitch House is devoted to “the pulp fiction tradition of a modern gothic literature called ‘cosmic horror.’  Writers in this tradition include (but are not limited to) the following: Edgar Allan Poe, M.R. James, Arthur Machen, H.P. Lovecraft, Clark Ashton Smith, Robert Bloch, August Derleth, Shirley Jackson, Stephen King, and many more.  ‘Cosmic horror’ emphasizes helpless protagonists, unexplainable monstrous menaces, and fictional occult themes such as forbidden lore and evil conspiracy.”  My story is entitled The Bustle in the Hedgerow and, because it’s macabre in tone, it’s attributed to Jim Mountfield, the penname I use for such fiction.

 

Yes, the title was inspired by a lyric (“If there’s a bustle in your hedgerow, don’t be alarmed now”) in Led Zeppelin’s Stairway to Heaven (1971), a song that a very long time ago I thought was great but now, having heard it a million times, I’m heartily sick of.  Other songs that fall into this unfortunate category include the Beatles’ Hey Jude (1968), Derek and the Dominos’ Layla (1970) and the Eagles’ Hotel California (1977).  But that’s the only Zeppelin-esque influence on the story.  The Bustle in the Hedgerow owes its existence to three different ideas I had at three different times, which I duly recorded in my ideas notebook.  All published writers and aspiring writers of an elderly disposition, like me, carry a notebook into which they scribble the ideas that occur to them.  Though I suppose these days younger writers may record their ideas using a notes app on their smartphones.

 

The story’s main character was based on the historian, writer and poet Walter Elliot, who’s written extensively about the Scottish Borders, especially the lovely Ettrick and Yarrow part of it.  My family own a small farm near the Borders town of Peebles.  One day Walter showed up on our doorstep, asking if he could take a look around one of our fields in the cause of historical and archaeological research.  My dad happily told him to go ahead and, as a thank you, Walter presented him with free copies of couple of his books.  “A historian doing research in a remote farm field,” I thought.  “That’d make a good premise for a story.”  I wrote the idea down.

 

I should say that Walter Elliot is still on the go.  His work was acknowledged and lauded in the Scottish Parliament in 2021.  So please, don’t anyone tell him I’ve turned him into a character in a horror story.

 

© Deerpark Press

 

The second idea came when my dad got a grant from the European Union – oh, how long ago that seems now – to improve the natural environment of the farm and planted half-a-mile of hedgerow along the side of its biggest field.  One of the reasons why the hedge got approval was because it’d act as a ‘wildlife corridor’, allowing wild animals to move from habitat to habitat without having to cross roads or cultivated land.  Because the hedge started at a site where the local burn widened into a pool, and it ended at a shelterbelt of trees adjacent to our farmstead, I had a typically horror-writer-ish thought: “Hey, if something nasty lived in that pool, it could now use the hedge, the wildlife corridor, as a way of getting access to our house!”   And another idea was scribbled down.

 

Thirdly, I’d made notes about, and always wanted to write a story connected with, the Hexham Heads.  These were two little stone heads, alleged by some to be Celtic in origin, discovered in the northeast English town of Hexham in 1971.  They reputedly caused unwelcome and frightening paranormal activity in the homes of whoever had custody of them.  Infamously, Nationwide (1969-83) – a normally easy-going, family-friendly TV current-affairs programme that the BBC aired every weekday evening around six o’clock – featured a report on the story in 1976.  For some reason, the makers of the report saw fit to throw in images of severed human heads on tree-branches, screams and an unexpected jump-cut of Oliver Reed from 1961’s Curse of the Werewolf amid the creepy interviews, traumatising every young kid who happened to be watching.  It certainly scared the shit out of me.  (Long believed lost, footage of that legendary 1976 report has now been discovered and restored.  See here and here.)

 

From wikipedia.org / © Archaeology Data Service / Dr Anne Ross

 

I don’t normally dispense advice to other writers.  For me, personally, this has always felt a bit pompous.  But based on my experiences here, I’d recommend them to (1) make notes of their ideas before they forget them, and (2) avoid regarding each idea as having a linear correlation with a story.  Rather than thinking ‘one idea equals one story’, they should keep studying all their ideas, however random, and keep looking for ways that two, three or more ideas could be combined in a single work.  This cross-fertilisation allowed me to come up with The Bustle in the Hedgerow.

 

Containing eleven pieces of fiction and five poems, Issue 5 of Witch House Magazine can be downloaded here.